Don Quixote, namely Quesada, is
delusional. He presents himself as a noble knight although, he is not a knight
and it is impossible to encounter a knight in the plot’s current time. When this
is noticed by his niece, a barber, a priest and a housekeeper they decide to
burn the books in order to cure Quixote. However the barber and the priest find
some of the books worth keeping and hence they decide to “banish” them or
imprison them by building a wall to “close the room where he had kept his
books” (p.64) Here the author, Cervantes creates a personification of the
mentioned books in the pursuit of forming a satire for church and its
corruption.
The priest claims that he will hold
inquisitions over the books which is absurd and unnecessary. What is more
absurd and demonstrates the priest’s inconsistency is his method of decreeing.
He decrees the books according to the author’s ability to present the plot and
quality of the book whereas he supposedly should take cognizance of books’
potential to be detrimental for Quixote. The priest on the verge of condemning
“the first book of chivalries printed in Spain” (p.57) shifts his mind
to pardon it solely because the barber said it is unprecedentedly well written.
This demonstrates how the priest lacks reasoning as he is judging the books or
how he decides in the drive that is advantageous to him. Moreover, the books represent
the people who are judged by the church and the way books are judged is neither
fair nor rational. Consequently, this becomes a criticize for church which
proposes that church condemn people in church’s favor. When the housekeeper
suggests burning all the books and purifying the room the priest laughs “at the
housekeeper’s simplicity.” (p.57) Priest belittles the housekeeper and this
indicates that he does not lack reasoning, but he intentionally chooses what
book to burn according to his liking. Priest describes the Florismarte of
Hyrcania’s style as “so harsh and dry he deserves nothing better” (p.58) and
proceeds to condemn it to be burnt. Regardless of the books’ influence or
whether the priest is certain of their influence, he makes a selfish judgement plainly
considering the author’s style. Miguel de Cervantes depicts this priest as
selfish and seemingly unreasonable, to criticize the church’s corruption, in
other words, the church makes decision accordingly to the church’s favor thus
leading a corruption and inconsistency. This inconsistency is most explicit
when the priest and the barber decides to build a wall to obscure Quixote from
reading the books. They reason this decision by asserting that “if the cause
were removed, the effect might cease; and they might say that an enchanter had
carried them off room and all” (p.64). Nonetheless, the most reasonable
solution is suggested by the housekeeper who represents the common folk which
is burning them all. In this way, the books will be gone, and the effect will
be diminished since the cause is annihilated. However, this will not be in the favor
of the priest as he wants some of the books to remain. He suggests to deceive
Quixote and say “an enchanter had carried them off, room and all.” (p.64)
This is a clear foreshadowing that Quixote will be delusional because the one
of the elements of chivalry-based stories is supernatural elements and priest
cloaked his lie by adverting on something that is supernatural relating to
chivalry, whereas he should efface the theme knighthood and knight, from
Quixote’s perception.
Ultimately, the priest accomplished
his goal, he burnt the books he despised, kept the ones he liked but he failed
to help Quixote. Building a wall stands for the priest’s selfishness, he builds
the wall solely to keep the books he considers worth keeping. Therefore, his
main concern as he realizes shifts leading him to appear in the plot selfish.
The housekeeper stands as a contrast to the priest, she is uneducated and
unwise yet she on the surface asserts the most reasonable suggestion and she is
laughed at. This demonstrates how the common folk’s favor is taken into
consideration by the church creating a fragment of satire for church.
Cervantes Saavedra,
Miguel de. The Adventures of Don Quixote. Tr. J.M. Cohem. London:
Penguin, 1950.
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